Embracing Daydreams: The Power of Creative Freedom

I’m a full-on no holds barred daydreamer. I’ve always been that way. When I was a child, my teachers hated my daydreaming. As an adult I have the luxury of embracing it. So that’s what I do.

More and more as I travel down this photographing people journey, I’ve taken to letting my mental dalliances – daydreaming if you will – just run. In fact I think it’s probably the main motivating factor when it comes to making a photo. It seems that if I just succumb to the urge to do a photoshoot without first planning exactly what my goal is, the experience nearly always becomes at least a little disappointing. Usually a lot.

Indeed, sometimes no plan is the plan. I love jumping into my truck with a model and a couple of suitcases full of wardrobe and just cruising somewhere taking photos with no set plan. That is actually the plan. It sounds counterintuitive, but it’s not really if you think about it.

Tribal Europe

A few months ago I went down a rabbit hole of pondering the fact that every human civilization has a tribal background and beginning. That led me to wondering what the earliest European peoples would have been like. I’m talking about some of the earliest people, the hunter-gatherers and the tribal people of early Europe.

The entry and movement of the earliest human arrivals into Europe is a fairly complex topic, but a lot of understanding has come about recently through genetic analysis. One fairly well accepted understanding is that hunter-gatherers arrived into Anatolia, which is modern day Turkey around 13,000 BC. At least evidence of a population of hunter-gathers can be found dating to around that time.

Keep in mind that human populations migrated into the area much earlier. But I’m settling on this era of Anatolian Hunter-Gatherers as the starting point of my daydream.

From here, my daydream really started going off of the rails. I remembered the movie, Highlander from decades ago which primed my young imagination with the thought of a small number of immortal beings that roam among us. Though the premise of Highlander is interesting, I always felt compelled to take it further. Not just a few centuries old immortals who feel compelled to remove each other’s heads. To me that seems kind of a weak reason.

If humanity held a tiny population of select immortals it seems that there would be a reason. For me, a valid reason would perhaps be for maintenance of developmental continuity. Maybe that’s a silly reason, but I’m going with it.

The Immortal Who Cannot Die

So then my daydreaming came up with a “what if” scenario. What if a person was born 15,000 years ago among the Anatolian Hunter-Gatherers. Born into a tribal early human existence, but just on the cusp of true development.

Rebekah

At around their mid to late twenties, they then simply stopped aging. The logistics of that alone would be a challenge. Obviously their contemporaries would see something was off.

But let’s not worry about that. Just focus on this person who stops aging, and cannot die. This circumstance would necessitate constantly moving and traveling. They would always need to be moving and migrating to another area and assimilating into new tribes, cultures, traditions, and societies.

This immortal being became a traveler out of necessity.

So as early Europeans evolved from hunter-gatherers into farmers, then into early cohesive cultures and proto civilizations, this immortal being would be witness to it all. From Anatolia, east to the Steppes of current day Ukraine and Russia. North and west and to all other reaches of Europe. From the Stone Age into the Bronze age. Countless civilizations and kingdoms rising and falling, and the spreading and merging of different cultures.

You could go on and on with this from the glacial maximum (ice age) to the warming which caused the ice sheets to recede, to the rise of the Bronze Age, the Bronze Age Collapse, into all that followed and into modern day Europe which I include the era just post Roman collapse.

So, imagine this person who has been alive to witness all of this. A woman, perhaps. She’s absorbed countless cultures and languages. She’s become a chameleon being able to adapt to anything. Who would she be? She’s acquired wisdom beyond anyone’s capacity to understand. She’s experienced loss, love, tragedy, greatness, despair, beginnings and endings to an extent that would be impossible to convey.

This person with a 15,000 year history.

Still in daydream mode: I meet her, she tells me her story, I believe her, I convince her to let me photograph her and to encompass as much of her history as I can into a single photograph; an amalgamation of 15,000 years of imprinting on a single human, and present it in a way that she chooses to represent it.

So I reached out to a hair and makeup artist friend of mine who is also really good with styling and ran my daydream by her. She loved it, and said, “Let’s do it!”

The next step was to find an appropriate model. That was a challenge for sure. In fact it kind of put a damper on the whole thing. I put out feelers and had a good response from multiple models. I connected with one, she was good to go and would have done well. But then decided she didn’t want to do it. I think she misunderstood what the concept was.

Then I landed on another who seemed excited, but then just ghosted me. I’m not sure why.

In a last-ditch effort, I posted on a local Facebook group a very short and high-level description of what I was after. That was when Rebekah answered. She has an acting background which I think was very beneficial. Plus, even her name, Rebekah, seemed to fit the concept. I can imagine an immortal woman who’d been alive for thousands of years having the name Rebekah.

We talked, I explained, she got it.

You’ve seen and experienced every human emotion there is. You counseled empires. You rode the Phoenician merchant ships across the Mediterranean Sea and wore the Tyrian Purple. You had a personal conversation with Alexander the Great and advised that he not put Persia under his rule. He ignored you, and you held his hand as he died. Cleopatra hated you, but envied and feared you because she discovered who you were.

You are the immortal who cannot die.

And Rebekah channeled it.

Rebekah

Model: Rebekah

Hair and Makeup: Kasey Kasai

Western Fashion Editorial: A Creative Journey

For a few years now I’ve been tinkering with the idea of a western themed fashion-ish editorial-ish project. This is one of the first shoots I did with this them formulated and a specific goal.

I call the project Backroads and Boots.

October, 2023.

The goal for summer, 2025, is to get as many of these in as possible.

Lorato in the Desert

One day in June, 2024.

An interesting aspect of these photos is how much the light changes and, more striking, how much it changes on Lorato’s skin as the day progresses.

This was a very quick, off the cuff, run and gun shoot that started about 4:00 PM in pretty hard sunlight, transitioned into the most golden of golden hour light, and finally into twilight as the sun dropped behind the mountains.

When I first started editing these photos I found myself fighting the tones as the sun got lower. What I mean by that is that as the sun neared the horizon, Lorato’s skin became more saturated with yellow and orange tones. Golden hour was gonna golden hour. I struggled with toning down the golden hues on her skin. Finally, I just thought to myself, why?

I finally decided to just embrace the tones produced by the changing light.

Dusty Roads – A Photo Editorial with Shamir

This Dusty Roads editorial with Shamir is a direct result that I very much dislike winter. In fact I spend all winter long waiting for summer. And then when the good weather is here I take a lot of pleasure in doing outdoor editorial fashion style shoots for no other reason than it’s fun.

Nah, I’m no fashion photographer. I’m just an enthusiast that receives much needed therapy by taking photos.

Shamir met me at my house in the morning, we had a cup of coffee, and then hit the road. The first stop was a great high desert location that overlooks a lake. Had to get a quick shot of Shamir admiring the view.

Shamir in a cool looking newsprint dress
Dancing with the newsprint dress

Shamir brought a bunch of different clothes, but I wanted to keep it in the realm of Shamir’s free spirit style; in other words, you wear what you want. A lot of what she decided to wear was a kind of amalgam of BoHo and goth? Not really sure, but I think it worked. She brought it all out and threw it on the hood of the truck and we just randomly grabbed some clothes and she put them on.

Amidst the junipers, bunchgrass, and high desert air everything seemed to fall into place. No method, just a little madness.

This old abandoned gas station is one of my favorite locations; especially at midday sun like it was here.

From the old gas station we continued up the road further into the desert. Out in this remote area there are many little nooks and crannies to simply pull over and make something happen. Like this little row of stairs between two old buildings.

The West Desert has a long mining history going back over one hundred years. There are a lot of broken down buildings and trains. It’s not unusual to see an old passenger boxcar sitting off of the road in tiny out of the way towns.

Once again we jumped in the truck and headed further west deep into desert country. On the drive Shamir intended to do a change, but couldn’t really find anything that she was feeling. The only thing that I really had a strong feeling about was the black cover that she had been wearing thus far.

Once we got to the location, however, she looked at the sand dunes and felt she had an inspiration of exactly what she wanted to do. We sat in the truck for a few minutes and drank a lot of water, and then set out into the barren landscape.

It was time to head back to civilization so we walked back to the truck, pointed it east and drove.

Model: Shamir

Equipment used: Sony Alpha 7R IV, Sony 135mm F1.8 GM, Sony 85mm F1.8, Sigma 24-70mm F2.8 DG

All images © Daniel Medley – 2023

How to Develop Your Own Style as a People Photographer

As a photographer of people it can be difficult to develop your own style. It’s one of the questions I see often on the various groups or forums that I visit. It’s something that I’ve thought a lot about and I’ve actually come up with a way that works for me and I’ve implemented it. Keep in mind that it’s simply just my opinion. Though I’m primarily a people photographer I don’t see why it wouldn’t work in some other genres. Though it’s something that I think has worked for me, your mileage may vary. Also keep in mind that I’m coming from the perspective of an artistic people photographer. Sure, if your gig is pumping out hundreds of corporate headshots there are certainly conventions you’re going to need to adhere to. But that’s different. If someone is striving for their “own style” photographing people, they’re not hanging out a corporate headshot shingle.

Don’t listen to aesthetic opinions of other photographers

I know that it’s anathema to not reach out for criticism or “help” from other photographers, but I really think it’s the worst thing to do when it comes to aesthetic. One of the things that new photographers are told that they need to do to “get better” is to seek the aesthetic advice of other photographers. It’s an example of conventional wisdom that is just wrong. Don’t put up a photo in a public space and ask for criticisms or advice. Also, unfortunately, the world of photography is full of people who are more than happy to take it upon themselves to give you their unsolicited aesthetic opinions; something that has always baffled me.

Aesthetic–indeed art–is entirely subjective. Yes, I know there are those who have wasted a lot of money on an art degree of one kind or another who will argue with that, but it’s the truth. What may be visually appealing to one person can be trash to another.

I’m not saying that you shouldn’t reach out to other photographers for technical advice. New photographers should definitely do that. For example instead of just posting a photo and asking for blanket advice, you’re far better off, say, posting it and stating what your goal was; lighting, editing, etc. and asking for advice on where it was missed and how to achieve it. But in order to do that you need to first know what your goal is.

How you edit does not determine photographic style

This is a common trap that many new photographers fall into. They try to achieve a personal style through editing. Some will spend money on Lightroom presets with that goal in mind and there are a lot of people out there that are willing to oblige them. One’s personal style is mostly created with how they take a photo. How they edit it has little if any bearing on the style. It’s why you can look at a Peter Lindbergh photo that is black and white and look at another that is color and you can tell that both are a Peter Lindbergh photo. Sure, a photographer may have an editing style that they have a propensity to use, but that is not what identifies their style.

Some photographers who are well known for their style don’t even edit their own photos. They hire it out. The editing styles of their photos may have changed over the years, but their style is still evident.

Don’t get hung up on rules

As an artistic people photographer there are no rules. This kind of goes back to the don’t listen to other photographers point I mentioned above. Some of the most annoying rules to me are the compositional rules or the cropping rules. Nothing gets ravaged more in a public forum than a photo that is cropped in the middle of an arm or leg, or at the top of the head. People hung up on these things are just silly.

Some of the most iconic artistic people photos violate all kinds of rules and would be savaged on your typical photographer’s forum. Some of the most amazing fashion photos have crops that would make a rules centric photographer loose their minds.

Again, don’t worry about rules. At all. Focus on making photos that YOU love and ignore the opinions of other photographers.

Step by step

OK, I’ve bloviated on my opinion on various things, but how exactly do you go about working on developing your own personal photographic style?

Here is my approach:

Create a folder on your computer and name it whatever you want. This folder is going to be with you forever. As you peruse the internet in your everyday life, anytime you come across a photo that you love, simply save it to that folder. Don’t think about it too much. If you dig the photo, save it. It doesn’t matter where you find it; Facebook, Twitter, Instagram, fashion website, news website, forum, etc. It doesn’t matter where you come across the photos. If you really like it, just save it to that folder. But it’s important that you only save the photos that you really like; that really hit a nerve.

After some time–days, weeks, months–you will accumulate a lot of photos in the folder. When you open the folder you will see many photos that you’ve accumulated that you love. There will likely be a variety of different photos consisting of different types of people and editing, styles. It doesn’t matter. Though you may not be able to identify it at first, there will be a common thread throughout all of the photos. It may take some time to actually identify it. But trust me, there is a common thread. There has to be because all of the photos in the folder are there as a result of your personal aesthetic. There is only one you on a planet of 8 billion people. If all 8 billion people created their own folder of their favorite images there would be 8 billion distinctly different folders.

You will need to spend a fair amount of time in the folder looking at the images that you love. Eventually you’re going to realize the common thread. You may not be able to verbalize it, but you’ll know it when you see it. And when you create your own photos you’ll think of it. Make the photos that YOU love for your own reasons.

In time take some of your favorite photos that you’ve made and stick them in the folder. How do they hold up? It’s likely that initially, they won’t hold up in comparison to the other photos. If they don’t, then remove them. But it’s good to see how they stand up amidst all of the other photos that you love.

Eventually you will make some photos that absolutely hold their own according to your aesthetic. Even though they may look wildly different than many if not most of the photos in the folder, they will still ride on that common thread that runs through all of them. That thread is YOUR style.

I started this approach a few years ago and my folder contains many hundreds of images and I’m still adding to it.

Fire on the Mountain with Mia

Some time ago, during the waning days of summer, Inna and I spent a day wandering the mountains and taking photos. I had pretty much everything with me, including an off camera lighting setup, but was really hoping to not have to use it.

Fortunately I had a good friend and an assistant who was able to come along and hold reflectors and scrims which helped immensely in this goal. Also the fact that it was raining off and on pretty much made it impossible to use the lights anyway. This is the mountain west of the United States; Utah to be exact. The old adage of “if you don’t like the weather, wait 5 minutes” was very much in play.

For most of the day it was a mix of rainy, cloudy, cold, bright and sunny, and warm.

Whatever Mother Nature threw at us, we just made it work.

We started the day off by meeting at the studio at noon where Inna and I jumped into the truck while Brant–good friend and assistant–followed us to a local coffee shop. A day’s driving is always best when started off with coffee. I love the light in this place and I often times start off these lifestyle/editorial day long excursions here.

Inna in the coffee shop
ISO 160, Sigma 24-70 2.8 Art, f2.8, 1/250

After taking a few photos at the coffee shop–onlookers taking it all in–we finally headed up to the mountains through rainy and dreary weather.

By the time we got to the location which is about a 40 minute drive, it started coming down real hard. Hard enough in fact that we ended up just staying in the truck for about a half hour until it stopped enough for us to not get entirely soaked.

On the path.
ISO 100, 85mm, f1.8, 1/5000

Once the weather cleared it turned beautiful quickly with fairly heavy cloud cover and some great intermittent light.

On the bench
ISO 100, 85mm, f1.8, 1/2000

One of the challenges in quickly moving cloud cover is that the light is constantly changing. But patience pays. Take your time and the light will come. Just be ready to take the shot when it does.

Inna against the fence.
ISO 100, 85mm, f2.2, 1/1250
Inna on the bridge.
ISO 100, 85mm, f2.2, 1/2500

As Mia wandered across the bridge, we decided to wrap up this leg of the journey and head to another location. Besides, it was getting a little crowded.

Inna against the rail.
ISO 100, 85mm, f1.8, 1/8000

By the time the above shot was taken, the midday sun was coming out full force. A lot of photographers hate midday sun. Not me. I love it.

We loaded up and drove further up into the mountains. By this time the sun was pretty much directly overhead and I opted to use both a scrim and a reflector to help control it. Inna did a quick change, and we grabbed a bag full of clothes and headed out into an amazing meadow.

Sitting in the meadow
ISO 100, 85mm, f2.0, 1/640

In case you can’t tell, I love shooting with an 85mm lens.

Inna is a wild child.
ISO 100, 135mm, f1.8, 1/4000

But nothing beats a 135mm lens for a shot like the one above. I love the wild child vibe that Inna has going here.

Inna with fur.
ISO 100, 135mm, 1.8, 1/4000
Inna on the rock.
ISO 100, 135mm, f1.8, 1/2500

Time for another change-up.

Inna with a motorcycle jacket
ISO 100, 135mm, f1.8, 1/3200
Inna tiger stripes.
ISO 100, 85mm, f2.5, 1/640

This is an example of having a good collaborative team on shoots. We were getting ready to call it a day and head back to the truck, but really wanted to get one more look in. We were all a little tired by now. Brant, my assistant, came up with an idea, “Why not have her throw her jacket at the camera?

Sounds awesome to me. Let’s do it. I’m always willing to listen to any ideas that someone on the team has.

The photo below is about as carefree as it gets.

Inna doesn't need clothes.
ISO 100, 85mm, f2.5, 1/400

This (below) was the last shot I took of the day. Let’s go celebrate!

Inna fashion
ISO 100, 85mm, f2.5, 1/1000

Model: Mia Swan

Assistant: Brant Gibbons

Photography © Daniel Medley 2021

Gear used: Sony a7R IV, Sony 135mm G-Master, Sony 85mm 1.8, Large Lastolite 5 in 1 reflector, large scrim.

35 and Up!

35 and Up! is an ongoing project of mine that I’ve been working on for a couple of years now. The 35 and Up! project features photographs of women who are 35 years of age and older. There are lots of reason why I love doing this project, but there are a couple main ones.

First: There is something about women at around 35 years old and older that sets them apart from most who are younger. It’s very difficult for me to quantify, but I can see it. There’s typically a confidence that comes with complete comfort in your skin because you’re at the age that it really is what it is. Typically, by about 35, in my experience, people are generally past the times when they’re trying to be something they’re not.

Not always, but usually.

And this is not to say that young women–or men for that matter–don’t have the capability for a certain je ne sais quoi, they absolutely do, but it’s usually something different.

Second: Casting calls for models 18-26 are a dime a dozen. Everybody and their uncle wants a model or models in the 18-26 age range. I don’t think models 35 and older get their just due. That’s my opinion.

Anyway, the following 35 and Up! participants appear in no particular order. I won’t disclose how old they are except that they are all over 35 and the are all stunning. Like I said, I love this project.

Tanya

Tanya isn’t a “model.” She’s just a dear friend who I love taking photos of.

Tanya
Tanya
Tanya
Tanya
Tanya 35 and Up!
Tanya

Chelle

I met Chelle a couple of years ago and we’ve done a few shoots together. And, of course, she rocks the 35 and Up!

Chelle in 35 and Up!
Chelle
Chelle
Chelle
Chelle
Chelle

Kirsty

I put the word out that I was looking for some models for the project and Kirsty stepped up.

Kirsty
Kirsty
Kirsty
Kirsty
Kirsty
Kirsty

Eliana

Eliana made it to the studio and blessed me with some amazing shots.

Eliana
Eliana
Eliana
Eliana
Eliana
Eliana

Emily

Emily came in to the studio on extremely short notice. I think I had a shoot reschedule and I posted on Facebook that I was looking for someone to come to mess around with lighting.

Emily
Emily
Emily
Emily
Emily
Emily

Melody

Melody’s vibe is edgier than a switchblade knife.

Melody
Melody
Melody
Melody
Melody
Melody

Rachelle

Rachelle. Look at her!

Rachelle
Rachelle
Rachelle
Rachelle
Rachelle
Rachelle

Molly

Molly likes to say she’s changing beauty standards one gray hair at a time. Yep!

Molly
Molly
Molly
Molly
Molly
Molly

The 35 and Up1 project is an ongoing, never ending project. As I add more amazing women to it, I’ll put up more blogs to feature them.

And remember, when it comes to beauty, it’s not just a young person’s game.